Shot | Description | Actors | Length | Location | Other | Scene Length (s) | ||
1 | Hallway track back. | - | 6 | Stradbrook | Dolly + Dedo's | |||
2 | Hallway track back. | - | 6 | Stradbrook | Dolly + Dedo's | |||
3 | Kitchen Track back. | - | 6 | Stradbrook | Dolly + Dedo's | |||
18 | ||||||||
1 | Track back on path as N goes into driveway, pan to follow. | N | 8 | G's house. | Make sure to leave long enough for a cut before the pan | Dedos? | ||
2 | OSS Nath grabbing letterbox. Focus on letterbox. Open door. | N+G | 5 | G's house. | Quite at an angle to N 1/2 oss 1/2 profile | Dedos? | ||
3 | CU Nath's reaction Frontality. | N | 5 | G's house. | Dedos? | |||
4 | CU Nath's reaction from G's POV. | N | 5 | G's house. | Dedos? | |||
5 | Nath's POV of G. | G | 4 | G's house. | Stand up movment? | Dedos? | ||
6 | MS 2shot from behind N. | N+G | 12 | G's house. | Behind to an angle, make sure to have it open, inclusive | Dedos? | ||
7 | MS 2 shot from behind G. | N+G | 12 | G's house. | Behind to an angle, make sure to have it open, inclusive | Dedos? | ||
8 | ECU cheek kiss. Angle 45* from back of head. | N+G | 4 | G's house. | Dedos? | |||
9 | Track back from behind N at kiss. CU to ML. | N+G | 8 | G's house. | RIGGING!! For the track going backwards | Dedos? | ||
63 | ||||||||
1 | Run whole scene from 1 shot opp the door. | 20 | Dedo's for shop. | |||||
20 | ||||||||
1 | Track back as N walks towards cam J runs past and hits him. | N+J | 8 | Whirlow. | Track or steadycam | |||
2 | PROFILE version of SC4SH1. | N+J | 8 | Whirlow. | Track or steadycam | |||
3 | CU walking then Running feet. Low still. Feet run past cam. | N+J | 8 | Whirlow. | Tripod | |||
4 | CU jakes hits N on head. From behind N opp J 45*. | N+J | 4 | Whirlow. | Steadycam | |||
5 | OSS N's shoulder as he watches J leave. | N+J | 6 | Whirlow. | Tripod | |||
34 | ||||||||
1 | J+N sit opp sides of bus stop extremem sides of frame. Long. | N+J | Bus stop. | |||||
2 | Frontality CU N. | N | Bus stop. | N turns side on "But its mine" | ||||
3 | Frontality CU J. | J | Bus stop. | |||||
4 | MF MCU N. | N | Bus stop. | |||||
5 | MF MCU J. | J | Bus stop. | |||||
6 | Profile 2 shot J grabbing N. Pulled out version of SH2. | N+J | Bus stop. | Run till J drops N out of shot. | ||||
7 | ECU N grabbed. | N | Bus stop. | |||||
8 | ECU J during grab. | J | Bus stop. | |||||
9 | CU of n on ground getting up. Frame through J's legs. | N+J | Bus stop. | |||||
10 | N pops back into shot framing G between the boys heads. | N+J+G | STRADBROOK | Expose so that it looks the same as rest of scene | ||||
1 | Close up of N in shop looking at sweets. J+M oof in bg. | N+J+M | Shop. | |||||
2 | N framed between M+J gets closer to cam as speaking. | N+J+M | Shop. | WIDE ANGLE LENS | ||||
1 | ELS N sat on bench | N | Park. | |||||
2 | MCU N sips apple juice like whisky | N | Park. | |||||
3 | Profile of N sipping juice. OOF in the BQ Pete approaches. | N+P | Park. | |||||
4 | MLS 2shot from behind. | N+P | Park. | |||||
5 | MCU of N. Full scene. | P | Park. | |||||
6 | MCU of P. Full scene. | N | Park. | |||||
7 | CU of N. | P | Park. | |||||
8 | CU of P. | P | Park. | |||||
9 | CU2 shot (Specifically for the electrical faults dialogue) | N+P | Park. | |||||
10 | MLS 2Shot. | N+P | Park. | |||||
11 | Low angle version of Pete's CU. | P | Park. | |||||
12 | Slow track in on Pete as he delivrs his monologue. | P | Park. | |||||
13 | Profile of N, Pete leans out as he spots G. | N+P | Park. | Rack focus to Pete. | ||||
14 | P's pov. N turns in side of shot to see G. | N+G | Park. | |||||
15 | MLS 3 shot from behind | N+P+G | Park. | |||||
16 | High angle POV looking down at P and N. | N+P | Park. | |||||
17 | Shot from infront of N P and G looking at the "views". | N+P+G | Park. | |||||
18 | ELS of G then P then N leaving awkwardly. | N+P+G | Park. | |||||
19 | LS of G running past cam from opp side of path. | N+P+G | Park. | |||||
1 | Profile shot of N looking out window. | N. | N's House. | |||||
2 | POV. | N. | N's House. | |||||
1 | Profile shot of N looking out winow, like 8.1 | N | N's House. | |||||
2 | POV. Sees J | J | N's House. | |||||
3 | ECU POV of watch | N | N's House. | |||||
4 | ECU of eyes and head dropping. Frontality. "its not over yet" | N | N's House. | |||||
1 | Layed down Paper lifting.Wide. Fails to lift. Shot from feet. | N | N's Room | |||||
2 | Montage Stairs. Low shot. N's head pops above the step. | N | N's Stairs | |||||
3 | Montage. Paper lifting.ML. Fails a little less. | N | N's Room | |||||
4 | Montage Stairs wider, track or pan up as he reaches top. | N | N's Stairs | |||||
5 | Montage. Paper lifting. Succeeds and sits up into MCU. | N | N's Room | |||||
6 | Montage Stairs track or pan as he reaches top triumphantly. | N | N's Stairs | |||||
1 | MS. Door opens and light shines on M. Then goes. | M | Shop | |||||
2 | MS track forward on N to CU. | N | Shop | |||||
1 | ML N exits shop and runs towards the cam. | N | Shop EXT | |||||
2 | Wide. N runs through shot. | N | Whirlow | |||||
3 | Wide. N runs through shot. | N | Whirlow | |||||
4 | Wide. N runs through shot. | N | Whirlow | |||||
5 | CU forhead wipe. | N | Whirlow | |||||
6 | Track back as N runs towards camera. | N | Whirlow | |||||
7 | Paper in Door | N | Whirlow | |||||
8 | Paper in Door | N | Whirlow | |||||
9 | Paper in Door | N | Whirlow | |||||
10 | ECU of dog. | DOG | - | |||||
11 | Dog POV through Wie location in sh2 | N | Whirlow | |||||
12 | Dog POV through Wie location in sh3 | N | Whirlow | |||||
13 | Dog POV through Wie location in sh4 | N | Whirlow | |||||
14 | ML N exits shop and runs towards the cam. (SH1) | N | Shop EXT | |||||
1 | Low angle shot. N in FG, J and M in the BG | N+J+M | Shop | |||||
2 | N's POV of M | M | Shop | |||||
3 | J ruffleing N's hair. Door is framed through his arm as opens. | N+J+P | Shop | |||||
4 | MCU of pete entering. Mrs B behind him. | P+MrsB | Shop | |||||
5 | CU M reaction. | M | Shop | |||||
6 | P and MrsB moving across shop. | N+J+M+B | Shop | Track from other side of shop if space, if not more POV. | ||||
7 | MS 5shot. Light shines upon everyone. | NJMBG | Shop | Then dims slightly, not completely. | ||||
8 | MS of M as he talks and escapes his customers | M+MrsB+P | Shop | |||||
9 | ML to past cam. M mrsB and P walk down isle past cam. | M MrsB+P | Shop | |||||
10 | ML of G as she walks to the left of N. | N+G+J | Shop | As they hear the noise, N moves and we see J leave. | ||||
11 | Similar to shot 3 but with N blocking door. | N+G+J | Shop | |||||
1 | N walking towards cam at 30* of him. ML-MS | N | Stradbrook | |||||
2 | N's POV G waving across the street. | G | Stradbrook | |||||
3 | CU of N smiling back. | N | Stradbrook | |||||
4 | POV from dog looking at N. | N | Stradbrook | |||||
Monday, 10 February 2014
First draft shotlist.
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