Bamford Reccie

The front of Alex's house. We plan on using the interior for Nathan's house and the exterior for Georgia's house.

The is the back garden exterior we will use for Georgia's house. At the moment we are not sure if we will be able to shoot in the doorway or not due to Alex's family so I am thinking of two versions of the shot list, one where she collects milk and meet Nathan at the gate and the other exact to script.

 Some street locations, potential areas for delivery montage.

 The thin gap through the trees is great visually, the perspective really draws you into the shot. Narratively it also makes you think that Nathan knows all the short cuts. I definitely want to shoot this location on the montage.

 The main park bench at the park we are shooting at. It isn't ideal because of the board behind it which restricts the angles for shooting. I really wanted to get a three shot on the bench using some nice central framing so we decided not to use this bench.

 This one will work much better and is a more classic picnic bench. It has a less interesting view but it is enough for the scene as Georgia will be the main subject when looking away from the bench/

 I like this sign, it captures the quaint little village feeling immediately and would love to get a few similar shots for cutaways.

 Less attractive main road, probably wont use.

 Bus stop for the bus stop scene however its next to a main road so would be too loud for sound.

 Nice circular area could work well for a running back and forth shot during the montage.

 The shop we are shooting in, it is different to the one we had planned on shooting in when I wrote the shotlist but Alex doesn't want to change the shots so I'm just sort of spatially reworking them to make sense in my own head.

 The reccie went well despite Alex not being their for the majority to show us around. We got a sense of the character of the place and I really like it, hopefully we can capture its charm. There are a few its of the shotlist and script that need slightly more specific locations (such as the track across' on doorways) and we are hoping that Alex can pin down some locals who don't mind us filming in their gardens.