Time |
Scene |
Shot |
Description |
Actors |
Length |
Location |
SetupTime |
Other |
Scene Length (s) |
|
1 |
1 |
Wide. Street. Parallel with road. |
- |
4 |
EXT Shop |
5m |
|
|
|
1 |
2 |
Sun rises over a park. |
- |
3 |
EXT Park |
5m |
|
|
|
1 |
3 |
Birds flutter from trees. |
- |
3 |
EXT Park |
10m |
|
|
|
1 |
4 |
LS Streetlights turn off. |
- |
5 |
EXT Shop |
20m |
|
|
|
1 |
5 |
CU Grass. In BG Nathan(N) comes out of shop. |
N. |
5 |
EXT Shop |
5m |
Try focus rack. |
|
|
1 |
6 |
Reverse shot 4. N pov. |
- |
3 |
EXT Shop |
10m |
|
|
|
1 |
7 |
MLS N stands proud then waddles off comically |
N. |
5 |
EXT Shop |
5m |
|
|
|
1 |
8 |
CU N's face tracking back he drops out of shot |
N. |
8 |
EXT Shop |
15m |
Tracking |
|
|
1 |
9 |
High angle of nathan still on the floor |
N. |
3 |
EXT Shop |
10m |
Canted |
|
|
1 |
10 |
Low shot ECU on papers in focus. N gets up in BG |
N. |
5 |
EXT Shop |
10m |
|
44 |
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
ELS-MCU down the street. N struggles toward cam |
N. |
9 |
St Johns |
10m |
focus pull. FULL |
|
|
2 |
2 |
Low shot bag drops on floor. Skateboard drops too. |
N. |
6 |
St Johns |
5m |
FULL SCENE |
|
|
2 |
3 |
CU N Taking a breath, looking around. |
N |
5 |
St Johns |
5m |
|
|
|
2 |
4 |
CU skateboard. |
|
4 |
St Johns |
5m |
|
|
|
2 |
5 |
MS Profile on N track across. Stops on door. |
N. MrB. |
12 |
St Johns |
15m |
FULL SCENE |
|
|
2 |
6 |
MCU on MrB takes paper and tuts. |
N. MrB. |
4 |
St Johns |
5m |
|
|
|
2 |
7 |
Setup
end of SH1. Track back as he walks pan as |
N. B |
6 |
St Johns |
15m |
|
|
|
|
|
he crosses the street. Boy comes into shot. |
|
|
St Johns |
|
|
|
|
2 |
8 |
CU of Scuffle. |
N. B |
4 |
St Johns |
5m |
|
|
|
2 |
9 |
ELS N CC 1PP picks bag up, walks to cam sighing |
|
6 |
St Johns |
10m |
|
56 |
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
CU Paper going into a door. |
N. |
3 |
Brentwood |
3m |
Cutaway/montage |
|
3 |
2 |
CU Paper being taken out of bag. |
N. |
3 |
Brentwood |
3m |
Cutaway/montage |
|
3 |
3 |
CU Gate opening |
N. |
3 |
Brentwood |
3m |
Cutaway/montage |
|
3 |
4 |
Paper through letter box |
N. |
3 |
Brentwood |
3m |
Cutaway/montage |
|
3 |
5 |
CU Another Gate opening. |
N. |
3 |
Brentwood |
3m |
Cutaway/montage |
|
3 |
6 |
CU N's feet balancing on curb |
N. |
4 |
Brentwood |
5m |
Focus pull |
|
|
3 |
7 |
LS Behind N as he balances |
N. |
4 |
Brentwood |
5m |
|
|
|
3 |
8 |
MCU Tracking back as N bumps into car |
N. |
5 |
Brentwood |
15m |
Keep tracking to LS |
28 |
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
LS Tracking back CC 1point perspective |
N. |
4 |
Street 1 |
10m |
Track |
|
|
4 |
2 |
CU N's face Tracking back |
N. |
7 |
Street 1 |
10m |
Track |
|
|
4 |
3 |
ELS behind N walking. He stops "I think Im..." |
N. |
6 |
Street 1 |
5m |
|
17 |
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
Shot of T junction. LS N walks through and back. |
N. |
18 |
Victoria Rd. |
15m |
|
|
|
|
|
looks up junction then
walks towards and past cam |
|
|
|
|
|
|
5 |
2 |
MLS N leans into street glares and goes in the |
N. |
7 |
Opposite V Rd. |
5m |
|
|
|
5 |
|
opposite direction. |
|
|
|
|
|
|
|
5 |
3 |
Same as 2 but he just leans back out of the street. |
N. |
4 |
Street 2 |
5m |
|
|
|
5 |
4 |
OSS N dives, the dog is
framed where he was |
N. DW. |
8 |
Victoria Rd. |
15m |
|
|
|
5 |
5 |
CU N Through car window. |
N. |
4 |
Victoria Rd. |
5m |
|
|
|
5 |
6 |
N's POV of dog and woman happily walking |
DW. |
4 |
Victoria Rd. |
5m |
|
|
|
5 |
7 |
MS N sat on ground woman spots, looks confused |
N. DW. |
5 |
Victoria Rd. |
10m |
|
25 |
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
ELS Park |
- |
4 |
Park |
3m |
|
|
|
6 |
2 |
Grass. N runs past cam. Rack with him to park |
N. |
8 |
Park |
3m |
|
|
|
6 |
3 |
CU N smiling at Swings |
N. |
4 |
Park |
5m |
|
|
|
6 |
4 |
N's POV looking at Swings |
- |
4 |
Park |
5m |
|
20 |
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
N Swinging towards and away from cam |
N |
10 |
Park |
5m |
Try diff focus points |
|
7 |
2 |
N's POV swinging. |
- |
6 |
Park |
10m |
|
|
|
7 |
3 |
Profile of swinging. |
N |
5 |
Park |
5m |
|
|
|
7 |
4 |
Shot from behind N. He stops. Pan to slide. |
N |
7 |
Park |
10m |
|
28 |
|
|
|
|
|
|
Park |
|
|
|
|
8 |
1 |
Shot from behind N on slide |
N |
3 |
Park |
3m |
|
|
|
8 |
2 |
Shot from bottom of slide infront of N |
N |
5 |
Park |
5m |
|
|
|
8 |
3 |
CU of N looking around, spotting G |
N |
5 |
Park |
5m |
|
|
|
8 |
4 |
Profile of N on the slide down |
N |
10 |
Park |
15m |
|
|
|
8 |
5 |
N's POV of G |
G |
6 |
Park |
5m |
Soft light + Focus |
|
8 |
6 |
LS of G |
G |
5 |
Park |
10m |
Soft light + Focus |
|
|
7 |
G's POV of N |
N |
5 |
Park |
5m |
|
|
|
8 |
8 |
Circular track around N as he watches G runs past |
N |
5 |
Park |
15m |
|
|
|
8 |
9 |
MLS N walking towards cam away from slide |
N |
6 |
Park |
10m |
|
|
|
8 |
10 |
ELS Of Park N leaves. |
N |
6 |
Park |
10m |
|
56 |
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
MS N walking towards G's house. |
N |
4 |
G's house |
5m |
|
|
|
9 |
2 |
CU Feet walking. Track with them |
N |
3 |
G's house |
15m |
|
|
|
9 |
3 |
CU N walking towards G's House. |
N |
5 |
G's house |
10m |
|
|
|
9 |
4 |
CU opening gate |
N |
3 |
G's house |
5m |
|
|
|
9 |
5 |
CU feet walking towads the door (Profile) |
N |
3 |
G's house |
5m |
|
|
|
9 |
6 |
CU Last paper goes out of bag |
N |
3 |
G's house |
5m |
|
|
|
9 |
7 |
CU Paper goes in letterbox |
N |
3 |
G's house |
5m |
|
|
|
9 |
8 |
CU N's Head turns |
N |
3 |
G's house |
5m |
|
|
|
9 |
9 |
CU G |
G |
6 |
G's house |
15m |
|
|
|
9 |
10 |
MS N G MF… She walks past him. |
N+G |
5 |
G's house |
10m |
|
|
|
9 |
11 |
CU N facing the door |
N |
7 |
G's house |
5m |
|
|
|
9 |
12 |
OSS N |
N+G |
7 |
G's house |
10m |
|
|
|
9 |
13 |
MCU G in her doorway |
G |
5 |
G's house |
10m |
|
|
|
9 |
14 |
LS-MS as N leaves |
N+G |
5 |
G's house |
15m |
|
|
|
9 |
15 |
CU gate closing |
N |
4 |
G's house |
2 |
|
66 |
|
|
|
|
|
|
|
|
SHOTLIST TIME |
340 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
340 |
Today I got through to shotlisting the project, was hard work but I think everything should work out well. Here is some of my reasoning:
Scene 1 Shot 1-4 Hopefully these cutaways shoul do a lot of the work in setting the early morning scene.
Scene 2 Shot 2 I think this really low shot of the items dropping on the ground will be nice and mimic him picking himself up in the previous scene.
Scene 2 MrB Whilst no longer in the script this section represents some passage of time and includes Nathan's genius idea of using the skateboard in action.
Scene 3 Shot 1-5 Another representation of the passage of time.
Scene 5 Shot 1-3 In the script Nathan is just found again, these shots are a nice visual representation of him comically searching for a street he recognises.
Scene 5 Shot 4 The dog should come into focus after a small pause to give the action a more pathetic feel when we discover such a kind looking dog across the street.
Scene 6 Shot 2 Should be similar to Scene 1 shot 5 however we track with him now.
Scene 8 Shot 10 This point is where he goes from being in a normal state to his romantic encounter with his dream girl. This is going to be reflected by him walking out of focus as he comes towards the camera to end this scene, entering almost a dreamlike space.
Scene 9 I shotlisted this before knowing the location, I guessed a more closed off garden rather than the awkward driveway we will be using, I will have to adapt it later.
Scene 9 Shot 14 Leaving the shot this time he comes into focus representing the end of the dream state and the end of the encounter with the dream girl.
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